SOUTH WEST AREA |
Trowbridge Amateur Operatic Society This is a musical story about a community, something which T.A.O.S, have come to excel in. This is basically because it has such a strong chorus who not only sing well but are individually good actors and actresses. The stage was bursting with energy at the opening yet there was plenty of sophistication when needed in the ballroom scene. The Orchestra were kept well under control, by Musical Director Harold Jones and never overpowered the singing. The costumes from the Salisbury Playhouse and Bath Theatrical Costume Hire were very good and the set, designed, by Paul Butler and constructed by him with Andy Matthews and team was interesting and well handled by the Stage Crew who worked hard to keep the continuity of the production. The lighting was well controlled especially the Blackouts leaving Denry Machin in a spot light. It was nice to see several young people in the company who were well disciplined and obviously enjoying themselves. The casting was very strong with each character well defined and portrayed. Undisputed star of the production was Sean Andrews in the role of Denry Machin. This talented actor had all the accomplishments necessary to fulfill this part most professionally. Joan Francis got right into the character of Mrs Machin, a woman who knows what was going on and always called a spade a spade. Her fast entrance and exit on the bicycle was extremely well done and most memorable. The versatility of Matt Heaton has no bounds. I am always amazed by his Performances. Ann Berry portrayed the Countess with dignity and charm and Caroline Schmidt as Ruth Earp proved to be not only a fine singer but also a good actress. Teresa Bray as Nellie Cotterill really won the sympathy of the audience. By not overplaying the part she exuded a warmth and charm that was most endearing and her song " If only " was sung with great feeling. A most impressive performance. I was only sorry no radio mics were used. With the Machin house cleverly set below stage right and so much important dialogue in that area quite a lot was unfortunately lost. Director Paul Butler has once again pulled out all the stops and presented a production full of life and energy and I congratulate everyone. Alec J. Ruddick |